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The SocArts group at Exeter hosts a regular series of workshops and symposia featuring practitioners, musicians, and scholars from around the globe. In addition to the inaugural ESA Arts Interim Conference in 2000, these symposia have investigated Music in Everyday Life (2005), Applied Music Sociology (2006), Music Sociology: Current Perspectives (2007), Music of Changes (2009), and Improvisation, Action and Performance (2010).
Here you will find news on upcoming activities as well as background material about past activities.
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Programme for SocArts symposium 2011 |
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The programme for the 2011 SocArts symposium on Music - Conflict - Transformation is now ready. This year's topic encouraged a large number of submissions of a very high quality, and we are proud to present the largest SocArts symposium so far with 21 presentations in all as well as a large number of additional attendants. The interest in this field and the approaches we see in the contributions also show that SocArts key concern with how music matters in social life is shared by many others around the world.
We are also very pleased to host a number of practioners and musicians as well as researchers. A dialogue between us will help improve our understanding of how music works in social situations and groups. We welcome you all to Exeter and hope you will have a fruitful seminar. The full program is listed below.
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Symposium on Music – Conflict – Transformation (9th/10th May 2011) |
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9th and 10th May 2011, University of Exeter, SocArts UK
Call for contributions
In the past decade there has been a growing interest in music and social conflict both inside and outside academia. Interdisciplinary research from music sociologists, ethnomusicologists, music psychologists and musicologists has focused on music’s dual use, both as a resource for conflict transformation and as a medium that can be used to incite conflict and channel violence. This research has also dovetailed with practical initiatives by non-governmental organisations (NGOs), local communities, academics and individuals attempting to utilise music to avoid or transform conflicts. Together these activities are slowly improving our understanding of the interesting, and at times pivotal, functions of music related activities in conflict and post-conflict scenarios. However, it is clear that there is still a great deal of conceptual work to be done in this field if we are to understand the processes (negative as well as positive) that take place in and around music and conflict/conflict transformation. Similarly, there is as yet little empirical research available to elaborate this conceptual base. The time is ripe for increasing the dialogue between researchers, practitioners/musicians and participants with regards to work in this field.
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SocArts symposium on Music and Change |
Music of changes: The concept of music-in-action
SocArts is arranging a one day symposium on the 18th May 2009 with speakers from SocArts as well as invited guest speakers.
Recent developments in music sociology have highlighted music’s role as an agent of change. These developments have included concepts such as: mediation, affordance, performativity, music as exemplar, tacit practices, grounded aesthetics, music as technology of self/health, music as politics, and musically inflected space. On the one hand this work has been at the forefront of the so-called ‘Strong Program’ of Cultural Sociology. On other hand, it has interacted and taken inspiration from concurrent developments in applied areas of musical practice – music therapy and community music activism, for example, where ‘change’ is often actively sought. This day symposium will bring practitioners and researchers together to consider music’s dynamic role in social life and to develop theoretical perspectives on culture and agency, arts in action.
Full program below.
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SocArts Symposium: Flirting with Uncertainty, Improvisation in Performance |
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We are pleased to announce our largest symposium so far, a two day event on the 25th and 26th March, 2010. We will have guest speakers and performers from Denmark, Sudan, USA, Canada and the UK.
Flirting with Uncertainty: Improvisation in Performance
SocArts International Symposium, 25 and 26 March 2010, University of Exeter
Although our lives are filled with carefully rehearsed and polished performances, from rock music performed in large arenas to Shakespeare plays, improvisation has been an important element in various time-based arts throughout history. From co-operative folk music to baroque music, from slam poetry to jazz and from street theatre to “Improvisation” as a separate musical genre, there has always been room for the uncertainty that improvisation brings. Improvisation as a technique is also crucial in applied areas of music such as community music, community drama and music therapy where music acts as a medium for collaboration and communication. Despite this, most social research focuses on the polished and rehearsed performances or the consumption of such art.
With this symposium we will explore the possibilities inherent in improvisations: Is improvisation a linear process aiming at reaching certainty or is it a challenge to flirt with uncertainty? What does improvisation make possible in terms of collaborations, connections and creations? Does it provide a different kind of energy in the artistic creation? Does it affect the audience’s perception and experience of the music? Does it allow for more participation?
This symposium brings together international and local researchers and practitioners to discuss the roles and potentials of improvisation in various settings and artistic expressions.
Full program below.
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Sociology of the Arts Seminar |
Papers from the 8th Conference of the European Sociological Association Research Network for the Sociology of the Arts
In Amory building, room 316 May 31st, 2007 - 14:00-17:00 Sophia Krzys Acord: Getting it “Just Right” Artistic meaning-making and creativity through the exhibition of contemporary art
Arild Bergh: Music use in conflict transformation Top-down vs bottom-up approaches in Norway and Sudan
Helen Gregory: The Quiet Revolution of Poetry Slam<br /> The Sustainability of Cultural Capital in the Light of Changing Artistic Conventions
Simon Procter: Long-term patient or emergent musician? Supporting creativity as a strategy for sustainable well-being
Ian Sutherland: Mortification of the avant garde Deconstruction of support structures from Weimar to Third Reich contextualized with a view to Goffman and Milosz |
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